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Tennessee Williams relished creating turbulent situations for troubled people. David Henshall talks to director Cathy Edwards-Gill about her production of Suddenly Last Summer and how Williams created characters which audiences could identify with

The Crucible, by playwright Arthur Miller, is one of the great masterworks on modern theatre. As David Henshall discovers, The Crucible is more than a historical drama it’s a perceptive examination of how communities function and how petty jealousies can tear them apart.

Far From The Madding Crowd is a Victorian classic but as David Henshall finds out a new stage version written by Olivier-award-winng Jessica Swale reveals it to be a story filled with surprisingly contemporary characters

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